Specializing in remote landscapes, urban cityscapes, and the stories found in between.
The approach, the craft, and the intent behind the photographs. Read the blog →
Three and a half days in Kruger National Park, six safari drives, and one animal I hadn't seen. This is the story of what the bush teaches you when you stop looking for what you want and start reading what's actually there. And what happens on the last morning when you almost give up.
On Petermann Island, Antarctica, I spent ten minutes waiting in front of a formation I knew could be a composition, without a subject to put in it. This is the story of the photograph that came out of that wait, and the edit decisions that finished what the shutter started.
Three and a half days in Kruger National Park, six safari drives, and one animal I hadn't seen. This is the story of what the bush teaches you when you stop looking for what you want and start reading what's actually there. And what happens on the last morning when you almost give up.
The zodiac gets you closer than any ship deck ever could — to the ice, to the wildlife, to the water itself. It also makes nearly everything harder. This is how I thought through shooting from a moving platform across six days of zodiac sessions on the Antarctic Peninsula with Aurora Expeditions.
Geometry is always present. In a mosque in Abu Dhabi it announces itself; in a field of icebergs in East Greenland it waits to be found. This post traces that spectrum: six environments, decreasing levels of cooperation from the world, and what the eye learns when it has to do more of the work itself.
